Jason Enright, Comics Guy
It is now 3 weeks since Michael Brown was murdered by Ferguson PD Officer Darren Wilson. Officer Darren Wilson still has not been arrested, charged, or even brought to prison or court for the murder of Michael Brown.

thepoliticalfreakshow:

#JusticeForMichaelBrown

bunbunxp:

rainbowshooterunicornsummoner:

"Honey have you… tried not being a magical girl?"

Thats actually a really pretty outfit. … I would wear that

zoner233:

My big spike don’t
My big spike don’t
My big spike don’t want none
Unless you got bots, hun

Oh primus, look at his butt
Oh primus, look at his butt

Look at that robutt and loooooooook at his butt.

:) heheh

Greatest thing ever or GREATEST THING EVER!!!!!!!!!!

nateswinehart:

Being good to each other is so important, guys.

sailorswayze:

AM I RIGHT LADIES

unamusedsloth:

Nude Portraits series by photographer Trevor Christensen

Windblade’s Chromia

greyliliy:

I’ve been thinking about it for a bit, and I think that I actually have come to like Chromia more after the final issue of Windblade than I did beforehand.

And I’m really looking forward to see how things develop after this event.

(Spoilers Below Cut)

Read More

comicsalliance:

REVIVAL, REINVENTION, RESURRECTION: THE POWER OF GREAT SUPERHERO COSTUME DESIGN
By Andrew Wheeler
We live in a time of awesome superhero costumes in comics. The rise and rise of cosplay culture, the emergence of comic artists with a savvy understanding of fashion, and the slow diversification that’s making heroes palatable to a broader audience, have all contributed to a costuming culture with more to offer than capes and pants.
Superhero costumes have always been an asset to the industry, because iconography helps establish character and create a brand. But the value of costumes in reaching audiences and reinventing characters seems to be recognized now as never before, leading to the rise of artist-designers like Jamie McKelvie and Kris Anka, who don’t even need to be on a particular book in order to be called in to make-over the characters. This is a great leap forward in understanding just what a good costume can do — and the special skills required to do it.
READ MORE

comicsalliance:

REVIVAL, REINVENTION, RESURRECTION: THE POWER OF GREAT SUPERHERO COSTUME DESIGN

By Andrew Wheeler

We live in a time of awesome superhero costumes in comics. The rise and rise of cosplay culture, the emergence of comic artists with a savvy understanding of fashion, and the slow diversification that’s making heroes palatable to a broader audience, have all contributed to a costuming culture with more to offer than capes and pants.

Superhero costumes have always been an asset to the industry, because iconography helps establish character and create a brand. But the value of costumes in reaching audiences and reinventing characters seems to be recognized now as never before, leading to the rise of artist-designers like Jamie McKelvie and Kris Anka, who don’t even need to be on a particular book in order to be called in to make-over the characters. This is a great leap forward in understanding just what a good costume can do — and the special skills required to do it.

READ MORE

In the latest Previews Party interview, we discuss the new IDW series, Edward Scissorhands, with writer Kate Leth ( kateordie ) and artist Drew Rausch. Check it out and make sure you order the series at your local comic store!

brianmichaelbendis:

The ABC’s Of Wolverine by Sean Gordon Murphy